Chen Zhihao

Chen Zhihao, was born in 1995 in Ningbo, Zhejiang Province, currently lives and works in Hangzhou. He received both a bachelor's and a master's degree in Art Engineering and Technology from the China Academy of Art. He is a member of the International Dynamic Art Association and is currently a Ph.D. candidate in Public Space Art Department at the China Academy of Art.

His artistic practice has long explored creative inspiration within the tension between “primitive sensory perception” and “cognition in the digital age.” He enjoys using natural media such as water, light, and mist, combined with digital media technologies, to create sensory scenes or contexts that transcend everyday experience. Some of his works are placed in natural and cultural public spaces, exploring artistic insight through encounters with those environments.

In recent years, his main artistic activities include: his work A River of Hanging Stars was exhibited in the Stagining Dunhuang at the Dunhuang Contemporary Art Museum, Shanghai, China, 2024; Carving Light IV  was shown in the Dedications to Transcendental Sculptors—China Academy of Art Sculpture Exhibition at the CAA Art Museum, Hangzhou, China, 2024; Carving Light III was selected for the 14th National Exhibition of Fine Arts (Experimental Art Section), Shanghai, China, 2024; Missing Pixels exhibited in From Sculptural Objects to Digital Artifacts—2023 Sculpture and Digital Media Art Invitational Exhibition at the GAFA Art Museum, Guangzhou, China, 2023; Carving Light was featured in Qingdao 2022 • Invitational Exhibition of China Contemporary Kinetic Sculpture (Installation) at the Qingdao Sculpture Museum, Qingdao, China, 2022; Bulu selected for the First Qiandao Lake International Biennale of Light Art, Hangzhou, China, 2022; and the Encounter was shown in Trash Art-The Artistic Interaction of Discarded Materials with People and Society at the Appenzell Haus, Zurich, Switzerland, 2020.

Credit:Chen Zhihao





Carving Light IV,Laser installation, synchronousbelt track, mist machine, aluminum profile,Variable dimensions,2024
Can we find a way to slice a beam of light? This piece begins with an idea, a “non-realistic” fantasy, like wielding a blade to sever flowing water. It also grows out of a broader conversation about the interplay between technological progress and everyday perception. After numerous experiments, the work finally succeeded to cut an untouchable beam of light with a tangible, solid, razor-like object. What is divided here is not only the form or hue of it, but also the viewer’s visual understanding of light itself and the artistic outcome born from that exploration.
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