Solveig Aalberg

Solveig Aalberg works with hand weaving as her primary method, and her genuine interest in and exploration of color and color intensity is a consistent thread throughout her body of work. Her pieces are created through an organization of colors, textures, and repetitions. She uses materials such as linen, cotton, polyester, polypropylene, wool, silk, hemp, reflective fibre and paper yarn. To achieve the desired color expression, she often hand-dyes the yarn. She emphasizes a simple and tight overall composition, while the individual components are highly detailed. Her works are often presented in series. A recurring rhythm in Aalberg’s artistic practice is the alternation between large-scale works that engage with the body and space, and small, intimate formats that invite the viewer to experience the works up close.

Solveig Aalberg (born 1955 in Steinkjer, Norway) lives and works in Asker. She was educated at the National College of Art and Design in Oslo (1979–1983). Aalberg has held numerous solo exhibitions at prominent art institutions in Norway, and has participated in many group exhibitions both nationally and internationally – including in Kyoto, Riga, Beijing, Shanghai, London, and Copenhagen. Her works have been acquired by institutions such as Arts Council Norway, KODE in Bergen, Asker Municipality, the National Museum of Decorative Arts and Design in Trondheim, Viking Ocean Cruises, as well as private collectors in Norway and Canada. She has also completed several public art commissions. In addition to her own artistic practice, Aalberg has worked as a curator and has actively participated in various committees and boards supporting the interests of artists.


In 2016, Solveig Aalberg began weaving miniatures in a format of approximately 20 x 24 cm. The series soon took the title Continuum. Since then, she has created over 100 mini artworks, 40 of which are included in The 5th Hangzhou Triennial of Fiber Art.By producing a large number of small works based on a shared theme, Aalberg explores how seemingly simple phenomena can reveal both complexity and richness in detail. The principles of repetition and variation are embedded not only in the visual outcome but in the very process of making.Each miniature is shaped by a combination of predetermined criteria — such as yarn density, color palette, the number of weft colors, and repetitions — and spontaneous decisions made during the weaving itself. These may include the addition of stitches, twisted or knotted yarn, and diverse treatments of the woven surface. The result is a series that holds together through structure while continuously evolving through nuance.
Continuum, Linen, cotton, polyester, hemp, silk,Custom-fabricated aluminium mounts with Velcro fastening,20 x 25 x 4.5 cm (each work) x 40 pieces (a series of 40 works) ,2016 - 2020
‘Repetition and shifts. A rhythm that is repeated even as it changes. Just like the days of our lives.’
The word continuum originates from Latin, derived from continēre, meaning “to hold together.” It refers to something continuous and enduring — a seamless sequence of related elements or events.
Image from the artist and Hangzhou Triennial of Fiber Art
Image from the artist and Hangzhou Triennial of Fiber Art
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