Jaffa Lam

Jaffa Lam is a Hong Kong-based artist specialising in large-scale, site-specific, and mixed-media works. She often employs recycled materials, such as wood, stone, old furniture, abandoned metal, and umbrella fabric. For nearly three decades, she's built a community-based practice to explore issues related to local culture, history, society, and current affairs. She deftly highlights the city's disappearing craftsmanship, while fostering the ecosystem of art and the urban environment. Her works provide social commentary and create unique dialogues to allow viewer interaction and collaborative engagement, in addition to activating spaces where multiple voices can be heard.


Recycled fabric, recycled industrial trolley, cement.Dimension Variable.2023.The image is provided by the artist and the Vervoordt Galle
Hovering in the air, “Trolley Party” (2023) is a socially engaging installation consists of a 14-metre-patchwork made of recycled umbrella fabric, merged from the extensions of 3 sculptures made of industrial trolleys. Described by the artist as “an art fair oasis”, it demonstrates the issues of labour, identity, and collectiveness of the city.
“What can artists do for society?” Lam always asks herself this question before conceiving artistic concepts. Social engagement plays a significant role in Lam’s practice since she started the “Micro Economy” project in 2009, in which she works with female workers from the Hong Kong Women Workers’ Association. The organization is formed by former female workers in garment factories who were laid off due to the socio-economic transformation. In “Trolley Party”, factory trolleys are transformed into concrete chairs, connecting to a grand-scale ceiling made of recycled umbrella fabric that was sewn together by Lam and the female workers in the participative workshops hosted by the artist and the Hong Kong Women Workers’ Association in Spring 2023. Through hiring the workers, Lam not only creates an eco-system of the city but also gives a second life to the recycled materials, weaving their personal stories in response to the transformation of the society across the generations.
Lam always calls people who involve in her creative process “collaborators” — the female workers and a local welder who modifies the trolleys. Their collective effort and energy are highly reflected in this work which carries the city’s strong sense of labour and identity. Lam’s work bridges the diverse vocabulary of mediums and methodologies, questioning the meaning of the changing city’s landscape and the future of the social environment and its structures.
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