Cache Forest
Mixed media including mantle, plastic fiber, metal, wood, LED screen, etc.
250 × 450 × 1000 cm
2022
“Cache”, in the context of computer technology, is used to quickly search, check, transmit, read and write data in memory space. It was born as a bridge that connected the time difference between high-speed transmission and temporary storage. "Being Theoria" caters to the temporal attributes of artistic creation, with a greater emphasis on field, landscape and space concepts behind it. The creation of plastic art, or focusing on technical practice, is always inseparable from the relationship between sensory perception and field space, even in its diverse forms. "Being Theoria", if mapped to the context of human life, is about the relationship between perception and the state of the body's self-cognition. Cached data is transmitted very fast, but during power outages, all data is instantaneously cleared and it is the fastest carrier to disappear. The memory accumulated by human beings through the perception of the world is also a contradictory medium like “being theoria”, which is so real and immediate, and illusory and lagging. The artist hopes to construct the invisible weaving and perceptual memory between human and space, human and the world through the systematic perception of vision, hearing, touch and even smell. The work adopts a three-dimensional cache forest combined with embedded miniature eye, nose, mouth, ear and other symbolic models, sets up sensors in each model, and constructs a multi-sensory dialogue between the audience and instantaneous perceptual memory in the form of an interactive image installation.
Co-artist: Gong Guangshun
Team members: Zheng Shangzhi, Jiang Yulong, Zuo Xiangrong
Cache Forest
Mixed media including mantle, plastic fiber, metal, wood, LED screen, etc.
250 × 450 × 1000 cm
2022
“Cache”, in the context of computer technology, is used to quickly search, check, transmit, read and write data in memory space. It was born as a bridge that connected the time difference between high-speed transmission and temporary storage. "Being Theoria" caters to the temporal attributes of artistic creation, with a greater emphasis on field, landscape and space concepts behind it. The creation of plastic art, or focusing on technical practice, is always inseparable from the relationship between sensory perception and field space, even in its diverse forms. "Being Theoria", if mapped to the context of human life, is about the relationship between perception and the state of the body's self-cognition. Cached data is transmitted very fast, but during power outages, all data is instantaneously cleared and it is the fastest carrier to disappear. The memory accumulated by human beings through the perception of the world is also a contradictory medium like “being theoria”, which is so real and immediate, and illusory and lagging. The artist hopes to construct the invisible weaving and perceptual memory between human and space, human and the world through the systematic perception of vision, hearing, touch and even smell. The work adopts a three-dimensional cache forest combined with embedded miniature eye, nose, mouth, ear and other symbolic models, sets up sensors in each model, and constructs a multi-sensory dialogue between the audience and instantaneous perceptual memory in the form of an interactive image installation.
Co-artist: Gong Guangshun
Team members: Zheng Shangzhi, Jiang Yulong, Zuo Xiangrong
Cache Forest
Mixed media including mantle, plastic fiber, metal, wood, LED screen, etc.
250 × 450 × 1000 cm
2022
“Cache”, in the context of computer technology, is used to quickly search, check, transmit, read and write data in memory space. It was born as a bridge that connected the time difference between high-speed transmission and temporary storage. "Being Theoria" caters to the temporal attributes of artistic creation, with a greater emphasis on field, landscape and space concepts behind it. The creation of plastic art, or focusing on technical practice, is always inseparable from the relationship between sensory perception and field space, even in its diverse forms. "Being Theoria", if mapped to the context of human life, is about the relationship between perception and the state of the body's self-cognition. Cached data is transmitted very fast, but during power outages, all data is instantaneously cleared and it is the fastest carrier to disappear. The memory accumulated by human beings through the perception of the world is also a contradictory medium like “being theoria”, which is so real and immediate, and illusory and lagging. The artist hopes to construct the invisible weaving and perceptual memory between human and space, human and the world through the systematic perception of vision, hearing, touch and even smell. The work adopts a three-dimensional cache forest combined with embedded miniature eye, nose, mouth, ear and other symbolic models, sets up sensors in each model, and constructs a multi-sensory dialogue between the audience and instantaneous perceptual memory in the form of an interactive image installation.
Co-artist: Gong Guangshun
Team members: Zheng Shangzhi, Jiang Yulong, Zuo Xiangrong
