Bignia Wehrli
Germany
Bignia’s artistic practice deals with processes of visualization and with methods of capturing fleeting actions. Daily paths, distances traveled, faraway journeys, the shifting horizon, the distance between two points—these are sites of discovery. She is interested particularly in devising methods of notation and inventing devices, which can be used to record ephemeral occurrences and performative actions, positioning them in new contexts and relationships. She is fascinated by processes of translation and transformation, and she sees them as doorways between signification and reality. Through such processes, something—an act, a space, an idea—is transferred into uncharted territory, and imagination. Often the artwork seems to be only the remains of something else, a cryptic trace, a sign or a hint of something real hidden within.